WHEATSTONE
AUDIOARTS AIR-1
8 CHANNEL ANALOG RADIO MIXER

Audio Mixer Console of the first American brand in Studio Equipment

A True Broadcast Console…in a Tiny Package: conserve studio space, not studio capability. The AIR-1 is our most capable standalone console in a compact footprint yet. It fits anywhere your laptop computer does for on-air, production, podcasting or remotes. The Audioarts AIR-1’s proven design has become the number one choice for small studios and production rooms due to its compact footprint, professional features, and attractive price. Now, with a USB interface, this same small console is able to send and receive audio from devices such as digital audio workstations, playout systems, and automation systems.

The AIR-1 is ideal for remotes, small on-air studios, web streaming, production, or any situation where a compact, low-cost, highly capable radio console is needed.

The AIR-1 covers all the basics: two mic inputs, six stereo line inputs, two program busses, a flexible metering and monitoring section usually found only in larger boards, cue output, muting, and a built-in headphone amp.

Small, so it can easily be used in a tight space such as a news or voice tracking booth, or on remotes. Rugged, built to Wheatstone/Audioarts’ usual high standards to last and last.

AIR-1 is surprisingly inexpensive, so it fits any budget. You don’t have to give up features or scrimp on the quality you need. Sometimes a powerful, compact broadcast console is exactly what you need. The Audioarts AIR-1 is it.

Features

• USB Interface
  Send/receive connection to digital audio workstations, playout systems and automation systems
• Low Profile Compact Design
  Only 15”/39cm wide to conserve studio space.
• Long-Throw Faders
  On input channels, monitor output and headphone output.
• Two Mic Input Faders
  Extremely high-performance mic preamps – noise level just 1dB short of the theoretical limit – with enough headroom to handle the most enthusiastic voice. Continuously variable gain trims to precisely match your microphones.
• Six Line Input Faders
  True differential electronically balanced inputs, not a semi-pro unbalanced input that merely accept balanced signals.
• Two Program Buses
  Full balanced broadcast standard, switchable stereo or mono. For remote applications, use PGM 1 for the feed to the station, PGM 2 for the house monitors or phone mix-minus.
• External Input
  Feeds the monitor section for listening to live air or talkback from the studio.
• Monitor Output
  Front panel long-throw fader. Switchable PGM 1, PGM 2 or EXTernal; can mute when MIC 1 and/or MIC 2 is on.
• Headphone Output
  Front panel long-throw fader. Built-in powerful headphone amplifier.
• Cue Output
  Provides preview to an optional external cue speaker amplifier. Can be set to automatically interrupt your main stereo monitors.
• Split Cue
  Switchable separately for speaker and headphone. When any fader is in CUE, sends CUE audio to the left channel, L+R sum of the selected monitor source to the right channel. Very useful in remotes for sending local program to one ear of the talent, talkback from the studio to the other ear.
• Switched Meter
  PGM 1, PGM 2 or EXTernal input.
• Solid State Leds
  On all switches so you never need to replace burned-out bulbs. External In-Line Power Supply for hum free, cool reliable operation.
• On-Air Light
  Front panel LED between the meters, and a relay output to drive an external ON AIR light. Activates when a mic channel is ON and enabled for monitor mute.

Bottom-mounted dip switches for easy programming

MONO SUM
PGM outputs can be stereo or mono sum

INPUT LEVEL
LINE and EXT input can be set to +4dBu (broadcast professional standard) or –4dBu (consumer)

MONITOR MUTE
Mic inputs
can mute monitor speaker when mic channel is turned on (prevent control room feedback)

SPLIT CUE
Sends CUE to the left channel, L+R sum of the selected monitor source to the right channel

CUE TO MONITOR
When on, any source in cue will interrupt the monitor speakers, similar to solo

SPECIFICATIONS

AUDIO INPUT
Mic	XLR connector, balanced
	Electronic differential >2KΩ bridging
	Adjustable sensitivity -64dB to -24dB
	Maximum input 0dBu
Line	Separate left and right 1/4” TRS connectors, balanced
	Electronic differential >40KΩ bridging
	Switchable sensitivity +4dBu=0VU or -4dBu=0VU
	Maximum input +28dBu
External	Same as Line

AUDIO OUTPUT
Program	Separate left and right 1/4” TRS connectors, balanced
	Electronic differential 100Ω source impedance to drive >600Ω
	0VU=+4dBu, maximum output +28dBu
Monitor	Separate left and right 1/4” TRS connectors, unbalanced
	Headphone Stereo 1/4” TRS connector to directly drive typical broadcast style headphones >200Ω
Cue	1/4” TRS connector, unbalanced

LOGIC
On-Air	1/4” 2-conductor TS
	Low-current relay contact closure to drive external relay to switch AC to on-air light

PERFORMANCE
Frequency Response	Mic ±0.10dB 20Hz-20kHz
	Line ±0.05dB 20Hz-20kHz
THD	Mic <0.002% @1kHz/+24dBu
	Line <0.0003% @1kHz/+24dBu
Noise	Mic -128dB EIN
	Line -92dB ref +4dBu
Bus crosstalk	-100dB @1kHz, -96dB @20kHz
Stereo separation	95dB @1kHz

PHYSICAL
Dimensions:	15.2”/38.6cm wide
	11.5”/29.2cm deep
	1.3”/3.3cm high @front
	2.5”/6.2cm high @rear
Weight:	7lbs/3.2kg
Shipping Weight:	12lbs/5.4kg
Power	100-240VAC, 50-60Hz, 25W
ROHS	Compliant